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Delphine Cortez began her career singing in top jazz clubs on Rush Street in Chicago, and has been one of the most in-demand vocalists in the southwest since her arrival in the Greater Phoenix market in the mid-80’s. While clearly having her own style, Delphine carries on the tradition of the great ladies of jazz, such as Sarah Vaughan, Ella Fitzgerald, and her musical idol, Nancy Wilson. She performs with uniquely captivating style, grace and creativity. Her “scat chops” and ability to interpret and compose lyrics on the fly is truly remarkable.
International jazz journalist Patricia Myers has said of Delphine, “Delphine Cortez literally takes possession of each song so firmly that one does not think of comparing Delphine’s style to anyone else’s – Delphine sings as only Delphine can. Her voice evokes warmth and passion with remarkable depth and range.”
See and hear more at delphinecortez.com
Joel Robin, who is executive director of Jazz in AZ, “pretended to play” piano when he was 3, took 22 lessons when he was 7, quit the piano until he was 10 and then “got hooked on jazz.” A few sessions at Juilliard School in New York City enhanced his talent and the “rest is all by ear,” he said. Joel and Delphine are familiar to local jazz fans because they play regularly at 129 ½: An American Jazz Grill on Cortez Street, and they are featured in the annual Prescott Jazz Summit.
Kitty Margolis is widely recognized as one of the most innovative and inspired singers in jazz today. Her imaginative improvisations, dynamism, and inventive scat have redefined the art of jazz vocals. Jazz Times has praised her “visionary approach to melody and rhythm,” and noted New York writer Stanley Crouch observes, “Kitty Margolis is an original who has made the heritage of all the great jazz singers her own. Beyond her virtuoso technique, she has an epic feeling, a willful breadth of emotion that is artfully focused on the details of life. She is not afraid to be as intimate as a diary or as athletic as necessary in order to stand up to the power of her band. Like all true artists, Kitty Margolis adds something good to the world that it did not possess before she came along. She is, as they say, “the real thing.”
See and hear more at kittymargolis.com
Backing up Kitty will be Daniel “Sly” Slipetsky-piano, Scott Black-bass, and Fred Hayes-drums.
Vocalist Joe Bourne presents The Music of Motown and Other Gems of that Era with his ten piece band. Travel back with these timeless tunes by Smokey Robinson, The Supremes, Lionel Richie, Stevie Wonder, The Temptations, Marvin Gaye, Martha Reeves, Michael Jackson and many more to enjoy those fond musical memories with songs like “Baby Love,” “My Girl,” “Get Ready,” “Sugar Pie,” “Just My Imagination,” “I’ll Be There,” “Hello, What’s Going On,” “How Sweet It Is” and more.
[wpaudio url=”http://tucsonjazz.org/wp-content/uploads/2013/08/01-My-Girl-1.mp3″ text=”Joe Bourne – My Girl” dl=”0″]
Angel Diamond-lead and background vocals, Mike Levy-bass, Rob Resetar-keys, Doug Davis-drums, Howard Wooten-guitar, Neamen Lyles-sax, Jason Carder-trumpet, Hiram Perez-baritone sax, Miguel Bazemore-Percussion
Born in Cambridge, Massachusetts, USA, music became a part of Joe’s life at an early age. He began his singing career in a church choir and with various street corner singing groups. Greatly inspired by such greats as Nat King Cole and Lou Rawls, Joe’s own singing style is rapidly becoming known to audiences around the globe.
Joe’s career grew in the USA from lead singer for a Top 40 rhythm and blues / jazz band, to the international status that he now enjoys, recording and releasing LPs and subsequently having hit singles from these LPs. At the same time he was involved in making several radio and TV commercials for Delta Airlines, Coca Cola and the American Telephone Company. After moving to Europe, Joe began performing for the American and Dutch Military and supported acts in concert for such artists as The Stylistics, Natalie Cole, The Manhattans, The Pointer Sisters, and Dionne Warwick while they were on their European tour..
His engagements have included venues and corporate events in such places as Scandinavia, Australia, Aruba, Indonesia, Great Britain, Spain, Germany, Italy and Switzerland. See Performance Highlights Numerous television shows culminated in a Christmas TV special with the world renown Ray Charles which was filmed in Germany and televised in various markets throughout the world. Joe continues to expand his already extensive repertoire, delivering his special brand of entertainment for Radio and TV programs, gala evenings, concerts, dinner shows, film premieres, new product presentations, designer fashion shows, openings, conventions, cruise ship galas, and charity benefits.
A “Tribute to the George Shearing Quintet” was originally a one time gig, done as a tribute to George Shearing and the Quintet, which performed in the early 1950s through the 1980s. The Shearing sound is the feature of the group; with piano, vibes, and guitar playing the melody in unison. Two members of the group, Charlie Shoemake-vibes, and Colin Bailey-drums are former members of the George Shearing Quintet. The other members of the Quintet are Joe Bagg-piano, Frank Potenza-guitar, and Luther Hughes-bass.
The late Sir George Shearing was one of the world’s most influential and beloved jazz pianists and composers. Shearing was knighted by Queen Elizabeth in June 2007. A popular recording artist and concert performer, Shearing composed over 300 songs including the Jazz standard, “Lullaby of Birdland.”
Shearing was born in 1919 in the Battersea area of London. Congenitally blind, he was the youngest of nine children. His father delivered coal and his mother cleaned trains at night after caring for the children during the day. His only formal musical education consisted of four years of study at the Linden Lodge School for the Blind. While his talent won him a number of university scholarships, he was forced to refuse them in favor of a more financially productive pursuit…playing piano in a neighborhood pub for the handsome salary of $5 a week! Shearing joined an all-blind band in the 1930’s. At that time he developed a friendship with the noted jazz critic and author, Leonard Feather. Through this contact, he made his first appearance on BBC radio.
In 1947, Mr. Shearing moved to America, where he spent two years establishing his fame on this side of the Atlantic. The Shearing Sound commanded national attention when, in 1949, he gathered a quintet to record “September in the Rain” for MGM. The record was an overnight success and sold 900,000 copies. His U.S. reputation was permanently established when he was booked into Birdland, the legendary jazz spot in New York. Since then, he has become one of the country’s most popular performing and recording artist. In 1982 and 1983 he won Grammy Awards with recordings he made with Mel Torme. Mr. Shearing was the subject of an hour-long television documentary entitled “The Shearing Touch” presented on the Southbank Show with Melvyn Bragg on ITV in the UK.
Three presidents have invited Mr. Shearing to play at the White House.. Ford, Carter and Reagan. He performed at the Royal Command Performance for Queen Elizabeth II and Prince Philip. He is a member of the Friars Club and the Lotos Club in New York and the Bohemian Club in San Francisco.
His awards and honors are many. In May 1975, he received an honorary degree of Doctor of Music from Westminster College in Salt Lake City. In May of 1994, Hamilton College in upstate New York awarded him another honorary doctorate in music. DePauw University in Greencastle, Indiana presented him with an honorary doctorate of music on June 1, 2002. He received the prestigious Horatio Alger Award for Distinguished Americans in 1978 and a community recreational facility in Battersea, south London, was named the George Shearing Centre in his honor. In May of 1993, he was presented with the British equivalent of the Grammy…the Ivor Novello Award for Lifetime Achievement. In June of 1996, Mr. Shearing was included in the Queen’s Birthday Honors List and on November 26, 1996 he was invested by Queen Elizabeth II at Buckingham Palace as an Officer of the Order of the British Empire for his “service to music and Anglo-US relations.” He was presented the first American Music Award by the National Arts Club, New York City, in March of 1998.
Pete Christlieb is probably one the world’s most famous anonymous tenor saxophonists. For years, he played jazz tenor in Doc Severinsen & the Tonight Show Band. His big, beefy sound and aggressive solos were heard mostly in brief snippets as the show came out of commercials, unfortunately denying the American public a chance to hear a very fine saxophonist improvise at length.
John Allred is a brilliant trombone player who appears in jazz clubs, festivals and concerts worldwide. Allred is a regular with the band of Harry Connick Jr., and is featured soloist with the Woody Herman Orchestra under the direction of Frank Tiberi. He has performed and recorded with Clark Terry, Buddy DeFranco, Terrry Gibbs, Stan Getz, Bucky Pizzarelli, Rosemary Clooney, Al Cohn, Scott Hamilton, Ross Tompkins, Dick Hyman, Toshiko Akiyoshi and others
Pete and John will be joined by the UA Studio Jazz Ensemble directed by Jeff Haskell and Moisés Paiewonsky, and coming off of a highly successful 18 city tour of China this summer.
“Meet & Greet” ticket add-on $20.00 – an opportunity to meet the artists in an intimate setting (includes cocktail and hors-d’oeuvres)
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On May 23 TJS will host a live webcast from Jazz at Lincoln Center featuring a collaboration between the Jazz at Lincoln Center Orchestra with Wynton Marsalis and two of contemporary jazz’s finest artists, bassist Christian McBride and guitarist Kurt Rosenwinkel. Join in a Live Video Conference after the show and interact with members of the Jazz at Lincoln Center Orchestra, including Wynton Marsalis.
On May 23, Jazz at Lincoln Center presents its second JLCO Hosts concerts featuring a collaborating between the Jazz at Lincoln Center Orchestra with Wynton Marsalis and two of contemporary jazz’s finest artists. Music director Wynton Marsalis and drummer Ali Jackson present the compositions of a pair of Philadelphia-born, post-Boomer virtuosos— bassist Christian McBride and guitarist Kurt Rosenwinkel. Associates since the 1980s, both Rosenwinkel and McBride attended Creative and Performing Arts High School in Philadelphia where they expanded their musical network with future Philly greats like Joey DeFrancesco and Ahmir “Questlove” Thompson of The Roots.
Rosenwinkel’s JALC debut will culminate a musical relationship with Jackson that began two decades ago at Smalls in Greenwich Village, where Rosenwinkel refined his individualistic guitar sound and influential compositional concept, blending dense harmonies, gorgeous melodies, and complex forms with, as Jackson states, “a very conscious and present understanding of the blues and what the blues are in jazz music.” 2012 GRAMMY® Award winner McBride will continue a relationship with JALC that began in 1995 (not long after he emerged as an all-time great on his instrument), when Marsalis, whom he met in high school during the latter ‘80s, commissioned him to write “Bluesin’ in Alphabet City.” The full Jazz at Lincoln Center Orchestra appears. Jazz at Lincoln Center’s 2013-14 Concert and Education Season boasts a diverse range of artistry and embodies the concept “all jazz is modern.”
On June 6 TJS will host a live webcast from Jazz at Lincoln Center featuring the music of Duke Ellington performed by the Jazz at Lincoln Center Orchestra with Wynton Marsalis. Join in a Live Video Conference after the show and interact with members of the Jazz at Lincoln Center Orchestra, including Wynton Marsalis.
Duke Ellington is the foundation of Jazz at Lincoln Center’s aesthetic. On this program, the Jazz at Lincoln Center Orchestra with Wynton Marsalis draws from its already deep well of Ellingtonia with arrangements that shed light on the depth and complexity of the maestro’s all-modernistic-all-the-time corpus. His music was known for its unique ability to illuminate any setting, from the night club, to the dance hall, to the concert hall. Ellington, who wrote over 3,000 compositions during his career, won 13 GRAMMY® Awards alongside numerous other honors, including citations from two presidents. The New York Timesrefers to “Ellington’s ability to mash together, like some improbably graceful garbage compactor, stylistic elements from all eras, from jazz, classical, folk and any other idioms that happened to strike his fancy” Ellington’s distinctly democratic vision sets the stage for an evening sure to be modern in many contexts. “The Clothed Woman,” a rarely heard yet accomplished work, will be featured.
Dmitri Matheny CD Release Celebration will showcase fresh, original works from Matheny’s new album, Sagebrush Rebellion, along with familiar jazz classics, hard bop, west coast cool and beloved standards from the Great American Songbook. The concert is part of Matheny’s 2014 100-city tour of the USA and will feature an all-star ensemble with Matheny on flugelhorn, Nick Manson on piano,T-Bone Sistrunk on bass and John Lewis on drums.
“The Dmitri Matheny Group is a cohesive and seamless unit,” writes All About Jazz, “serving up equal parts soulful expression, caressing phrases, imaginative asides, and dedicated lyricism.”
“Their music is a fertile landscape without boundaries,” writes the OaklandTribune,“earning Matheny and his cohorts a reputation as one of the most eclectic and daring ensembles on today’s jazz scene.”
Celebrated for his warm tone, soaring lyricism and masterful technique, Dmitri Matheny has been lauded as “the first breakthrough flugelhornist since Chuck Mangione” (San Jose Mercury News). First introduced to jazz audiences in the 1990s as the protégé of Art Farmer, Matheny has matured into “one of the jazz world’s most talented horn players” (San Francisco Chronicle), a leading figure on the international jazz scene and one of the most prolific musicians of his generation.
Matheny’s tenth album as a leader, Sagebrush Rebellion was released on August 9 on the BluePort Jazz/Papillon Recordings label. Recorded live, Sagebrush Rebellion captures Matheny at his best. Featuring the all-star rhythm section of Nick Manson piano, Justin Grinnell bass and Duncan Moore drums, the quartet showcases new originals, classics by Johnny Burke and Duke Ellington, and favorite selections by Charlie Haden, Steve Swallow and Nat Adderley.
According to Jim Merod of BluePort Jazz, “This is one of my favorite recordings…I hope listeners enjoy the depth and delicacy of these songs crafted with Dmitri’s flugelhorn mastery.” Pre-order Now
See and hear more at dmitrimatheny.com.